Zoekresultaat: 3 artikelen

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Jaar 2014 x
Artikel

De brug tussen wetenschap en opsporingspraktijk

Onderzoek naar de toepassing van sociale netwerkanalyse in de opsporing

Tijdschrift Tijdschrift voor Criminologie, Aflevering 4 2014
Trefwoorden social network analysis (SNA), big data, criminal investigation, intelligence
Auteurs Drs. Paul Duijn en Dr. Peter Klerks
SamenvattingAuteursinformatie

    Social network analysis (SNA) has taken its place in the field of criminology, although among Dutch criminologists the emphasis remains on conceptual contributions. Meanwhile, the world of criminal investigation and intelligence has witnessed the development of a blossoming SNA-practice. The emergence of big data makes SNA an indispensable tool to exploit the oceans of data in a meaningful way. Unfortunately, when it comes to employing SNA, academia and the investigations and intelligence domains remain separated. While Dutch analysts adopt scientific ideas and concepts, they rarely contribute to the body of literature; confidential SNA reports remain inaccessible. Shedding light on over forty SNA related internal police studies, this article bridges the gap between Dutch academic criminologists and ‘pracademics’ in law enforcement.


Drs. Paul Duijn
Drs. P.A.C. Duijn is als strategisch analist werkzaam binnen de eenheid Den Haag van de Nationale Politie en is als docent verbonden aan de Politieacademie.

Dr. Peter Klerks
Dr. P.P.H.M. Klerks werkt als raadadviseur bij het Parket-Generaal van het Openbaar Ministerie en is als docent verbonden aan de Politieacademie.
Artikel

Het esoterische mensbeeld in Die Zauberflote van Mozart

Wat straf- en herstelrecht daarvan kunnen leren

Tijdschrift Tijdschrift voor Herstelrecht, Aflevering 2 2014
Trefwoorden esoterische wijsheid, levensloopbenadering, desistance, Die Zauberflöte, Mozart
Auteurs Jacques Claessen
SamenvattingAuteursinformatie

    The focus of this contribution is on the esoteric view on mankind as depicted in Mozart's opera The Magic Flute. Within this context, the stages of development of the conscience and soul that a man can go through will receive additional attention. This development can also be influenced by external factors. According to esotericists, the purpose or destination of man is that he comes into contact with his divine nature, but also that he identifies himself with this nature and that he will live in accordance with it. Such a life can be characterized by wisdom and love and therefore by virtue (charity), which is the opposite of sin or mis-doing. Before the identified development of man can be visualized based on The Magic Flute, this opera firstly needs to be embedded in the tradition of the freemasonry (‘Royal Art’) and other, older initiation schools. It is therefore important to recognize that the esoteric view on mankind has historical roots and that, only in recent centuries, this view has been marginalized, due to the rise of the scientific view on mankind. Finally, the question is posed what criminal law and restorative justice can learn from the esoteric view on mankind. In response to this question, a starting point will be presented of the development of a spiritual life-cycle approach, which complements the existing life-cycle approach and the related desistance theories within contemporary criminology. Furthermore, the concept of interconnectedness, which plays an important role in the context of the esoteric views on mankind, will be connected to a restorative crime approach, which provides restorative justice with spiritual legitimization.


Jacques Claessen
Jacques Claessen is als universitair docent straf(proces)recht verbonden aan de Universiteit Maastricht.
Artikel

From graffiti to pixação

Urban protest in Brazil

Tijdschrift Tijdschrift over Cultuur & Criminaliteit, Aflevering 2 2014
Trefwoorden Brazilian graffiti, pichação, pixação, criminalization, resistance
Auteurs Paula Gil Larruscahim
SamenvattingAuteursinformatie

    This paper explores the hypothesis that the process of rupture in Brazilian graffiti writer’s subculture resulting in different groups - pichadores, pixadores and grafiteiros - took place in two different, though complementary, stages. The first stage is the commodification of graffiti by successive media campaigns and its penal control by the state. The second stage - which may be considered as a side effect of the first one - consists of the emergence of a new transgressive pixação movement. Instead of merely writing or tagging their signatures and messages on the walls of the city, they claim the freedom of usage of the urban space and contest the importance that property has in the late modernity context.


Paula Gil Larruscahim
Paula Gil Larruscahim is promovenda binnen het Erasmus Mundus Doctoral Programme on Cultural and Global Criminology aan de Universiteit Utrecht en de University of Kent: www.dcgc.eu.
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