This essay argues that the breaking of taboos is an effective means to increase one’s definition-power and discredit the establishment. But rhetorical warfare and satire may also turn into its opposite: strengthening fanaticism. First, the author discusses the controversy surrounding the cartoons of Charlie Hebdo and the militant pleas for maximum artistic freedom, articulated by Salman Rushdie and others. In the second part of this essay the author argues that advocates of an inviolable right to freedom of expression, including the right to insult, may create their own taboos. Within the tabloid press and the outrage industry this ‘right’ gets more aggressive functions. Finally, some ambiguities about political correctness and the racism-taboo are discussed.

In this opinion piece the authors reflect upon the way in which applied research for law enforcement and safety management is valued within the prevailing academic culture. By drawing from the scholarship on public criminology, the authors introduce the democratic underlabourer as an important yet often undervalued and underrepresented figure capable to bridge potential gaps between academia and the practical field of law enforcement and safety management. By getting organized in the form of a guild, democratic underlabourers would increase their clout and visbility.